ANALYSIS OF THE IMPLICATION AND CHARACTERISTICS OF RED MUSIC IN JIANGXI, CHINA

Abstract

Red music, as a unique cultural expression during the Chinese revolution and construction period, not only carries rich historical and cultural value, but also plays an irreplaceable role in promoting the prosperity and development of socialist culture. Among the many revolutionary holy places in China, Jiangxi undoubtedly occupies a particularly important position. As one of the important birthplaces of the Chinese revolution, Jiangxi not only witnessed that magnificent history, but also gave birth to a unique red culture, of which red music is an important part. From the Nanchang Uprising in the early 20th century, to the armed struggle in Jinggangshan, to the Long March after the Zunyi Conference, red music has always accompanied every step of the revolution, inspiring the fighting spirit of countless revolutionaries.

            This paper presents a thorough investigation of red music in Jiangxi, China, examining its dual function as both a revolutionary tool and a cultural heritage element. Through qualitative analysis, it aims to explore the deeper meanings and characteristics of red music in Jiangxi by systematically analyzing its historical origins, application occasions and functions, melodic features, musical forms, and lyrical contents. The findings indicate that red music not only inspires revolutionary enthusiasm but also plays a significant role in shaping China's national consciousness and cultural memory.

            In-depth research in this field can deepen our knowledge and understanding of red culture and explore the new significance and role of red music in promoting the development of socialist culture under new historical conditions.

            Red songs from the Jiangxi Soviet Union are primarily in pentatonic modes, with western major and minor modes. They also include five-tone palace and levy modes, six-tone, seven-tone, and ancient scales. The songs have a unique modal color style, with the major mode being the main mode and the minor mode supplemented.