TRENDS AND INNOVATIONS IN INDIAN CONTEMPORARY PRINTMAKERS
Abstract
A researcher wants to examine the visual printing language in Early Graphic Arts, least documented in the colonial, Modern, and Contemporary Indian Period. The investigator, being a student is associated with printmaking, painting and alternative photography techniques, er want to examine aware of circumstances in which artists of successive periods have struggled for the sociological and formal problems in innovation and graphic printmaking. This Research Proposal is a survey of the history of manual and alternative techniques like digital and another innovative web programming, web publishing in virtual media, and ceramic photoprints. This research proposal examines the social aspects of subjects in early print studios of India by analyzing some studies about the topic. The Researcher is investigating the change of his living and working culture in the new democratic and liberal set up. Rather than scientific examinations of traces of prints, the following approach focuses on the studio practice of tracks and ties into my more significant study of studio prints produced and widely circulated in the country today. The history of graphic today remains uncharted, yet it holds strong roots in visual practices of printing and publishing that commenced with the arrival of the presses in India in the 1640s. The following study leads up to examining the changing phenomenon of printing through the ages. Following is an attempt to historically trace printing conventions about identity in studio works, which have different degrees been assimilated today by negotiating innovation within the pattern. The purpose of the broader research on photographs to examine the role that it plays in the current systems of origins and social organization in urban India. Ne The endeavours become apparent, and significantly, the journey from the earliest printed photo documents without visuals to documents with printed images. The Researcher believes that printmakers continue alternatives to enthusiastically accept modern technological advances, new products, new methods, and new modes of communication.
The selected problem is to be solved using historical, analytical, descriptive, exploratory, and empirical methods by keeping printmakers career in mind. In this research problem, the Researcher wants to look at how printmakers have developed innovative techniques and how his artworks have matured. This Researcher wants to see how he has influenced Indian later printmakers, especially during every printmaker's career that all spent in a lifetime and how their innovation in printing technology has benefited.
